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expressionist poet. He is the author of two other books of poetry The Conductor of the Dead and other poems and The London Bridge and other poems. His poems have appeared in leading journals of Hindi and English poetry in India and the West. |
The Kashmiri Poet of Louisianaby Anwar ShaikhVol. 4, Issue 14 Oct-Dec 1996 Subhash possesses the virtue of couching simplest situations in the manner that is creative and elaborate. This is what elevates him as an expressionist: his style makes the dull night fulgent with moonlight, renders the silent streams sing with ecstasy and induces the sullen birds soar higher and higher in search of satisfaction. There is a deja vu in his art, which makes the reader feel vaguely that he already knows it, though it is the first time he has read it. This is the suggestive power of Subhash, a kind of artistic telepathy. A true poet is recognised by the reminiscences of his homeland when in a foreign country. This is an expression of his nastalgia, the evidence of his love and loyalty to his past. In his highly moving poem "My Father in Hawaii, " one finds the stunning imagery of Kashmir rolled into the Hawaiian landscape bursting with beauty, bliss and beatitude. His descriptive mastery creates an aura, which exhibits the smiling of buds, colours of a rainbow and melodies of the chirping birds associated with the immortal Valley where he was born and grew up. The fluency of his verses clearly demonstrates his natural aptitude for poetry. He does not seem to be forcing himself to write a couplet or a stanza. Once he is moved by the effect of an event, it is the ethos of the happening that uses Subhash as the mouthpiece for its expression. No wonder, he has been called "the leading expressionist poet of India" by the National Herald. The term "Expressionism" is used to describe an artist's deepest feelings. It is this characteristic of Expressionism, which earned the Expressionist drama of Germany the description: "drama of the soul." One can visualise Subhash's soul moving through his verses with hope and desire, yet the Lord Kama cannot be seen anywnere with his erotic arrows in search of pretty damsels. His passion is pure and pious, bordering on perfection, and not touched by the pollution of puerility. The "Inner Sarasvati" clearly demonstrates that the thirst for his ancestral values is being quenched by the genetic stream of enquiry quietly chanting praises of the Lord. Subhash Kak has to his credit, another two books of poetry, namely "The conductor of the Dead" and "The London Bridge, " but here we are talking about his work: "THE SECRETS OF ISHBAR." This anthology comprises thirty- two poems and spans over sixty-two pages. It is available from: VITASTA,
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